Infinite Days – Rebecca Maizel

Infinite Days – Rebecca MaizelInfinite Days by Rebecca Maizel
Narrator: Justine Eyre
Series: Vampire Queen #1
Published by Tantor Media on 8/25/10
Genres: Fantasy, Young Adult

Book: C+
Narration: B-

I found the premise of this novel to be an interesting take (as over-used a phrase as that is) on vampire mythology and the YA paranormal genre and I wanted to like this book but in the end, I didn’t so much dislike it as it simply left me indifferent. It was a unique premise that ultimately failed me in the execution.

Lenah Beaudonte has been a vampire for just under 600 years and is the queen of the most powerful vampire coven in existence. In Maizel’s mythology, the vampire is a soulless being whose body has been sealed by black magic into an unchanging state. Emotions and senses for a vampire have narrowed down to acute vision, an enhanced sense of smell, and a sort of E.S.P. – all of which aid the vampire in hunting down prey. Their sense of touch is almost non-existent and a vampire’s emotional palette is limited to pain and suffering on a seemingly constant basis. After tiring of a life of endless pain and increasingly reckless behavior, Lenah learns her creator (a vampire named Rhode) has discovered the secret ritual for removing the vampire curse. She coerces him into performing the ritual for her and after a 100-year hibernation Lenah wakes up as a 16 year-old human. Rhode advises her to immerse herself in her reborn human existence and avoid anything that might bring her to the notice of her coven. Thus begins her life as a student at Wickham Boarding School with the requisite boyfriend, best friend, and mean girls included.

My primary frustration with this audiobook was that I didn’t feel enough narrative tension. Although the threat of discovery by Lenah’s coven is a thread introduced early on, it never becomes more than a vague possibility until about two hours before the end. Lenah herself has some interesting characteristics but only in an objective sense. I admired the creepiness factor of Lenah habitually identifying the location and quality of the veins in the people she first meets as a human but only in a . o 0(that was a nice perspective for the author to include) manner rather than being actually creeped out. With little in the way of the vampire mythology or world-building revealed until the end, I had to rely solely on engaging with the characters in the story and I had a distinct lack of empathy, sympathy or connection of any kind with them because with the exception of Lenah, they are almost all cardboard cut-outs with little to no background information or insight into their thoughts or daily life. The only other character with a somewhat fleshed-out background turned out not to be the love interest and faded away for the middle of the story.

Lenah’s relationship with Justin, the hunky and wealthy LaCrosse player that every girl on campus admires, didn’t give me a warm romantic glow or even a hot sexy blaze.  Other than his having three brothers, nice parents, and love of adrenaline, I know nothing about him. I didn’t get any real idea as to what draws him so strongly to Lenah or why a girl/woman with 592 years of life experience is so entranced by this young man/boy.  I know the intent was to make the attraction on Lenah’s part tied in to how Justin has the ability to bring out her human side and the reduction of Lenah’s vampire senses as her humanity asserted itself made for a nice plot construct but the descriptions of the events that trigger these changes (bungee jumping and the single sex scene in the book) didn’t convey a sense of excitement, wonder, or life-changing drama.

I should reiterate that although I mostly have complaints about this book, it isn’t a bad book: It just didn’t reach me on anything other than an analytical level which is not what I look for in my entertainment listening. I did find that the last two hours of the story really picked up the pace and held my interest. Danger, a new location, a bit more emotional insight into Lenah and a greater knowledge of her coven helped engage me but by then it was too late to save my overall impression of the book.

I’ve experienced Justine Eyre’s narration skills previously with Nalini Singh’s Guild Hunter series and enjoyed it immensely. I initially thought this an odd match between narrator and genre/book and I still feel it was not the ideal casting choice. I’ve always felt that the tenor of Ms. Eyre’s  voice is more suited to mature characters and in one respect that worked surprisingly well for Lenah, given her 500+ years of existence and experience. Where it didn’t succeed for me was in the moments of Lenah’s great life-changing events. The vocal inflections she gives Lenah at each one was more “how odd that happened” rather than conveying any real sense of awe or transformation.  In addition, I often heard a tone of ennui in Lenah’s voice which again, was appropriate for the character given her history but which also aggravated my sense of disconnection with the character. Lenah’s English accent worked well for me although I had an unintentional moment of amusement when Lenah was describing light emanating from her palms. She described it as shining from her very pores which, with the English accent, sounded like “paws” and I found myself wondering when we had switched from vampires to werewolves. Not a bad narration but, to my mind, miscasting.

A Discovery of Witches by Deborah Harkness

A Discovery of Witches by Deborah HarknessA Discovery of Witches by Deborah Harkness
Narrator: Jennifer Ikeda
Series: All Souls #1
Published by Penguin Audio on 2/8/11
Genres: Fantasy, Paranormal, Romance

Book: B+
Narration: A

A decision tree to help you decide if you should listen to the audiobook of A Discovery of Witches, narrated by Jennifer Ikeda (yes, there is an actual review after the flowchart):


This audiobook had excellent narration and pacing that, unless you like character-driven novels, might drive you crazy. I, however, loved it. I’ve read comparisons of other books with the Twilight novels and have never seen it as anything other than a marketing ploy but really, if the Twilight series married Gabaldon’s Outlander series and had a literary child this would be it.

Diana Bishop is a professor of history at Yale who has turned her back on the power her abilities as a witch grant her in order to focus on academics. While researching at Oxford’s Bodleian Library, Diana discovers an enchanted alchemical manuscript that has been long hidden. The “creatures” that populate the world of this novel (witches, vampires, and daemons) all want the manuscript and they need Diana to get it. Enter Matthew Clairmont, a 1600 year-old vampire and Oxford professor whose quest for the manuscript quickly turns into a more personal interest in Diana. The battle to obtain the manuscript carries the pair from England to France, America, and … well, you’ll have to listen to the book to find out the last location.

The author clearly loves her area of academic study and included info from it in the book in such a way as to completely intrigue me about the history of science and the allegorical imagery to be found in alchemical manuscripts. I rarely regret not pursuing post-graduate studies but this book reminded me of the joy found in academics. There was a well-delivered (although not often exciting) plot progression that appealed to my logical side which probably explains the flowchart. The world-building feels very realistic and rational (if I can say that about a fiction book). I did struggle with the heroine’s passive nature for much of the book and I was frustrated with the hero’s paternalistic actions but was still captivated by the book and enjoyed the growing romance. The secondary characters were well developed and wove their way through the plot rather than popping up as throw-away characters. I ended up listening to this book a second time and only then realized there was a lot of subtle characterization that my conscious mind ignored the first time around. The ending, while not a cliff-hanger exactly, opened a whole new setting for the next book in the series and I look forward to it.

I found Jennifer Ikeda’s narration to be perfect. My previous experience with her work was a YA novel set in Canada so I was unprepared for the level of skill she displayed in managing the multitude of accents that permeate the story. Silly me. She seamlessly switches between multiple English dialects, Scottish, French, Australian, and American and while I am far from an expert on accents, they all sounded very natural and accurate to me. She employed a smooth and almost conversational delivery for the narrative. Usually I would anticipate that style would make a long story seem even longer but the vocal inflections more than held my interest and at the half-way point in the book I was wondering where the time went. The dialogue was voiced in a manner that easily allowed me to immerse myself in the characterizations and get swept away in the story.

An excellent audiobook for the romance reader who likes character-driven stories and with minimal bedroom time, even non-romance readers will find a lot to enjoy.