Narrator: Kate Rudd, Todd Haberkorn
Series: Between the Lines #3
Published by Brilliance Audio on 12/3/12
This was a highly enjoyable romance with protagonists who step outside some commonly seen themes to develop into complex characters with depth. The dual narration works extremely well and enhances this first person contemporary YA/NA quite nicely.
“Reid Alexander’s life is an open book. His Hollywood celebrity means that everything he does plays out in the public eye. Every relationship, every error in judgment is analyzed by strangers. His latest mistake totaled his car, destroyed a house, and landed him in the hospital. Now his PR team is working overtime to salvage his image. One thing is clear – this is one predicament he won’t escape without paying for it.
Dori Cantrell is a genuine humanitarian – the outward opposite of everything Reid is about. When his DUI plea bargain lands him under community service supervision, she proves unimpressed with his status and indifferent to his proximity, and he soon wants nothing more than to knock her off her pedestal and prove she’s human.
Counting the days until his month of service is over, Dori struggles to ignore his wicked magnetic pull while shocking him with her ability to see past his celebrity and challenge him to see his own wasted potential. But Dori has secrets of her own, safely locked away until one night turns her entire world upside down. Suddenly their only hope for connection and redemption hinges on one choice: Whether or not to have faith in each other.”
What starts out as some often seen (and often simplified) themes in romance novels – a good girl (preacher’s kid), a bad boy (and a movie star to boot), and sparks flying as the two butt heads when forced by circumstances to interact – reveals itself to be more than the initial setup might suggest. I haven’t read the first two books in this series (and by the way, this one worked very well as a stand-alone) so I didn’t have any preconceptions about the character of Reid but I hear he was a bit of a jerk in the earlier books. While he was definitely a spoiled and self-centered movie star to kick off the book, he wasn’t unbearable and as the story progresses not only does his personality begin to change in response to his experiences but his actions are understandable given his history. His shift in personality and his desire to be better than he was seemed reasonable to me and I enjoyed his transformation.
Dori was the protagonist who benefited the most from the in-depth characterization she was drawn with. She judged Reid pretty harshly (understandably so) to start with but found herself drawn to him anyway. I reached a point in the story where everything could have wrapped up nicely into a romantic resolution but with more than half the book left, Dori started coming into focus and carried much of the rest of the story for me. She could easily have been a goody-two-shoes but she had some real (and realistic) struggles with her faith that were backed up by an unexpected history that broke my heart. Her present wasn’t all sunshine and rainbows either.
The struggle between Dori and Reid to establish a relationship was lengthy and it was interrupted part-way through as they pushed each other away and as life pulled them in separate directions. Usually this interruption of “together time” in the middle of a romance would make the book seem drawn out but it worked particularly well for me here because each of them needed to see what life without the other felt like. Dori in particular had to figure out what need Reid met (besides the obvious – nudge-nudge-wink-wink) in her life.
I often find literary characters who evince a religious faith to be written in a manner inconsistent with my experience with religion in real life. They seem to hit an extreme end on the spectrum: either overzealous and so preachy as to be irritating or a former believer whose faith has been crushed by tragedy and now they reject religion entirely. Dori’s religion was a real-world version and she questions it as life throws curve balls her way. It was also a part of who she was and for once, I didn’t get a sense of authorial intent behind the inclusion of faith – that was simply who this character needed to be.
I really enjoyed this audiobook. I listened to it in a couple long sessions over a two day period and it captured my interest completely and had terrific narration.
Although it isn’t my intent to take away from the author’s ability to make a story containing common romance elements something fresh and engaging because the characters are written as complex and interesting people, the fact that the narrators delivered such contemporary and natural voices for the characters absolutely enhanced my enjoyment of this book. Alternating short chapters that switch first person perspective between the protagonists is an ideal situation for a dual narration casting. The selection of narrators who can swing age-appropriate voices in addition to being very skilled in their craft was a major score. If I have one complaint (and I do) it’s that Dori’s voice, which is described as “lyrical”, is given the slightest hint of an Hispanic accent when read by Todd Haberkorn but not when read by Kate Rudd. While either delivery is fine, it’s the disconnect between the two that I had to get used to.
This was my first listen to one of Todd Haberkorn’s narrations but I won’t hesitate to pick up another with his name on it. He was convincing as a young and spoiled movie star while still managing to not make him so much of a jerk (vocally) that I tuned him out in self-defense. He delivered the emotional gamut the story and character called for and nailed distinctive voices for each character. His delivery was very natural sounding which sucked me right in and I heard Reid as a person rather than a character.
This was my second listen to Kate Rudd’s work (and she’s two for two at making me cry, thank-you-very-much) and she was the perfect pairing to put up against Mr. Haberkorn. Her youthful inflections matched Dori’s age and she was pitch-perfect at the lines that delivered the biggest emotional punch. She also brought a very natural sound to the character as well as providing distinct voices for each of the supporting cast. Her delivery was very effective at providing me with a sense of immediacy as events unfolded.