The Translator by Nina Schuyler

The Translator by Nina SchuylerThe Translator by Nina Schuyler
Narrator: Kirsten Potter
Published by AudioGO Ltd. on 7/1/13
Genres: Literary Fiction
Source: Audiobook Jukebox

 

 

Story: B
Narration: B+

Quick Review:

I liked this book quite a bit. The overall concept, the design of the protagonist’s character/story arc, the parallels between Hanne’s translation ability and how she related to people… all of that held a strong intellectual appeal for me. From the perspective of my internal emotional reader, it took me a long time to fall in sync with what was taking place in the story and although the emotional distress experienced by the characters felt realistic, I neither connected to it personally nor did I have much sympathy for Hanne or her daughter or Moto. That doesn’t make it a bad book (far from it) it just means I had two distinct experiences while listening but I consider it time well spent.

Publisher’s Blurb:

When renowned translator Hanne Schubert falls down a flight of stairs, she suffers from an unusual but real condition — the loss of her native language. Speaking only Japanese, a language learned later in life, she leaves for Japan. There, to Hanne’s shock, the Japanese novelist whose work she recently translated confronts her publicly for sabotaging his work.

Reeling, Hanne seeks out the inspiration for the author’s novel — a tortured, chimerical actor, once a master in the art of Noh theater. Through their passionate, volatile relationship, Hanne is forced to reexamine how she has lived her life, including her estranged relationship with her daughter. In elegant and understated prose, Nina Schuyler offers a deeply moving and mesmerizing story about language, love, and the transcendence of family.

My Thoughts:

Although there are no sudden revelations in this book that will take a listener by surprise, I’m throwing out the spoiler flag at the start of this review because there is a slow build in learning about the protagonist and the story took a path that I wasn’t initially anticipating. That was part of what made this book enjoyable for me and I’m going to talk about some of those aspects of character revelation in the review.

As the motivation for a protagonist’s flight from her existing life into one that forces her to re-evaluate her relationships and how she perceives the world, losing the ability to communicate via your primary language is an intriguing and clever catalyst for a novel’s arc. When Hanne Schubert is suddenly unable to speak any language other than Japanese, she begins a journey that brings her to a point where she is forced to confront the fact that, for her entire life, her ability to seamlessly move from language to language – deriving full meaning from each one – is the polar opposite of how she relates to people and personalities that differ from hers. Hanne’s daughter, Brigitte, whom she has always viewed as too sensitive and as someone who needs to develop resiliency in order to be successful or survive in life, is set adrift by her mother’s inability to understand her.

The book opens with Hanne translating a book from Japanese to English. She develops an obsession with the main character, Jiro, and constructs what she thinks is a deep and full knowledge of who the character is – to the extent that he features in her fantasy life. When Hanne is accused by the book’s author of completely misunderstanding who Jiro is and botching the translation, she seeks out the person rumored to be the inspiration for the character – a Noh actor named Moto – and starts down the painful path of realizing that not only has she mistranslated the book, she’s been “mistranslating” her daughter all her life with disastrous consequences. Moto is similar in personality to Hanne’s daughter: mercurial, emotional, and sensitive. Once the smallest crack in her perceived ability to translate develops, finding herself in the orbit of someone so similar in personality to her daughter but with an adult-to-adult power dynamic leads to a painful series of personal revelations.

It took me a long time to be anything more than intellectually engaged by the writing. Part of that is a resistance to third person present tense as a method of connecting to characters (despite its putative sense of immediacy) and the story seemed weighted more towards “tell” expository rather than “show” descriptive. We spend a lot of time with Hanne and her thoughts and for that reason alone I was surprised it wasn’t in first person. It wasn’t written as an objective narrative and was limited in terms of the narrator’s knowledge and I sometimes had a sense of objectivity or scientific observation in the authorial voice.

Where it did work particularly well for my readerly sensibilities was in the tightly constructed way in which the depth of Hanne’s character was slowly uncovered. Although by the end I disliked the perspectives of both mother and daughter, how they reached that point was completely understandable and even if I thought Hanne was a horrible mother (FYI, I didn’t…exactly) I understood her and what motivated her parenting style. None of that understanding was conveyed to me via a wordy bat upside the head but was explained by simply allowing me to observe Hanne going about her life day-by-day with visibility to the reminiscences that would flit through anyone’s mind.

There’s a lot of food for thought in this book and for that alone it’s worth the listen.

The Narration:

My first thought in describing the narration is that if you’ve heard one Kirsten Potter narration you’ve heard them all but that might leave you with a negative impression. What I mean is that Ms. Potter is the most consistent narrator I’ve listened to in terms of delivering narrative in a measured and clearly articulated manner, character differentiation, point of view, emphasis, and back-and-forth dialogue from book-to-book. If you like her voice and narration style, which I do, then you know all you need to know if you’re deciding whether to go with the audiobook version or a text version because there won’t be any surprises for you in the narration.

Much of the novel takes place in Japan (well, most of it takes place in Hanne’s thoughts but…) and rather than utilize a Japanese accent per se, she simply adds a bit of formality to the delivery of native Japanese characters and that worked well for me. The passion Hanne feels as she goes about translating a novel is evident in the delivery and each character is uniquely presented. The third person present tense narrative has a first person presentation style which works well given the amount of time we spend with Hanne’s thoughts and musings. Overall, a good narration that gives full weight to the author’s words and intent.

 

 

Disclaimer: I received this audiobook without cost from AudioGo via the Solid Gold Reviewer program at Audiobookjukebox.com

Snow White Must Die by Nele Neuhaus

Snow White Must Die by Nele NeuhausSnow White Must Die by Nele Neuhaus
Narrator: Robert Fass
Series: Bodenstein & Kirchoff #4
Published by AudioGO Ltd. on 1/15/13
Genres: Mystery
Source: Audiobook Jukebox
two-half-stars

Story: C
Narration: B+

The Plot:

Tobias Sartorius was sent to prison for the murder of two girls the summer after he graduated from high school. The case against him was circumstantial since the bodies were never found. After ten years he’s been released and returns to his hometown to find his childhood home in disarray, his father’s restaurant shut down, his parents divorced, and he and his family facing boundless hostility from the townsfolk in Altenhain. When his mother is assaulted and a body is found soon after his return and then another girl goes missing, the horrible events from his past are stirred up into a toxic brew.

Called in to investigate the assault and the newly discovered remains, Detective Superintendent Oliver von Bodenstein and Detective Inspector Pia Kirchoff find themselves investigating both the past murder and the current disappearance. At the same time, they have to contend with inter-office strife in the Division of Violent Crimes at the Regional Criminal Unit in Hofheim as well as struggling with various issues in their personal lives.

My Thoughts:

This is a complex mystery story that relies on a multitude of characters as it winds a twisty path to a final whodunit revelation. I couldn’t shake the sense that I’d picked up a cozy mystery that had been thrown into a blender with a true-crime novel and mixed on high. I’d call it an anti-cozy except the in-depth involvement and accompanying portraits drawn of a large cast of villagers was oddly reminiscent of one, as was the “whodunit” nature of the story and the lack of gratuitous descriptions of violence. The amount of venality, anger, unlikable characters, and dysfunctional personal lives in the story pretty much took the “cozy” aspects to the mat for a body slam, however.

I was slow to warm to this book. I suspect there’s one big reason for that: the majority of my reading selections – especially in detective/mystery fiction – have trained me to focus on one or two primary protagonists and I had a hard time adjusting to the sheer number of detailed perspectives and lives in play. This novel has a large cast of characters and while there is something of a focus on Tobias and the police duo who are investigating the current-day crimes, the story branches out in what seemed like far too many tangential directions.

The police procedural aspects of the story made me expect a certain amount of straightforward presentation of detail but the majority of descriptions tended towards factual rather than atmospheric. This created a mental image of this story, the characters, and the environment that was very black and white rather than full-color and multi-dimensional and so my ability to firmly construct vibrant character sketches and connect to them was limited.

Without knowing what the directive was to the translator (i.e. how much leeway he had to make phrases seem more natural to an English-speaking audience) it almost feels unfair to nit-pick but while the meaning of almost everything was clear, I had a few places where I had to make assumptions. Phrasing like a reference to a necklace found in the “milk room under the sink” and “But until today he’d had those black holes in his memory…” – implying his memory returned today when the context of the story actually indicates it should be “To this day he had those black holes in his memory” (indicating the persistence of his lack of memory) – made me pause. I also found it interesting that it wasn’t until I translated a phrase back into the German words I’m accustomed to seeing it in (Kinder, Küche, Kirche) that I understood the cultural implication/context of its use.

The mystery was engaging and I did enjoy the layer-by-layer reveal of motives and connections among the populace of Altenhain once I was grounded in the story and the cast. There are hints dropped throughout the book so it would benefit the listener to pay close attention. This is the fourth book in this series that follows Bodenstein and Kirchoff and although it worked as a stand-alone I got the sense that the events in the Regional Criminal Unit and in the personal lives of the detectives would have been easier to mentally organize (and would have generated more sympathy for the characters) had I started with the first book.

I found the ending frustrating and that had a noticeable impact on how I graded this one. After the basic outline of who/how had been worked out, there was an hour left in which some very unlikely plot twists took place. By that point there was no room in my brain for a couple of not-introduced-until-now names/people and I was just waiting for the end to make sure everything wrapped up. If you are a frequent consumer of mysteries and police procedurals though, I think there’s a lot in this one that will appeal to you.

The Narration:

The narration worked well and I would imagine that Robert Fass’ delivery will satisfy any listener. Characters were clearly differentiated although I would have found additional delineation/characterization through varied cadences and more character-specific emotional delivery to be beneficial. The narrative and character dialogue was, as I would expect in a translated work, delivered primarily in American accent. Proper nouns, however, were given their full German-accented pronunciation which I appreciated tremendously. Male/female vocal range separation was done well, the narrative voice was distinct, pacing was excellent, the delivery was smooth, and production was top-notch.

 

Thank you to AudioGO for providing me a copy of this audiobook for review purposes via the Solid Gold Reviewer program at www.audiobookjukebox.com
 
two-half-stars