Narrator: Eileen Stevens
Published by Audible Frontiers Genres: Science Fiction
I’m wrapping up my four post series reviewing the audiobooks in the Liaden Universe with a review of the Theo Waitley sequence.
The Plots (via the publisher’s summary):
“Theo Waitley has lived all her young life on Delgado, a Safe World that is home to one of the galaxy’s premier institutions of higher learning. Both Theo’s mother, Kamele, and Kamele’s onagrata Jen Sar Kiladi, are professors at the university, and they all live comfortably together, just like they have for all of Theo’s life, in Jen Sar’s house at the outskirts of town. Suddenly, though, Theo’s life changes. Kamele leaves Jen Sar and moves herself and Theo back into faculty housing, which is not what Theo is used to.
Once settled back inside the Wall, Kamele becomes embroiled in faculty politics, and is appointed sub-chair of her department. Meanwhile, Theo who has a notation in her file indicating that she is “physically challenged,” has a series of misadventures, including pulling her best friend down on the belt-ride to class, and hurting a teammate during a savage game. With notes piling up in her file, Theo only wants to go “home”, to the house in the suburbs, and have everything just like it used to be.
Then, Kamele uncovers evidence of possible dishonest scholarship inside of her department. In order to clear the department, she and a team of senior professors must go off-world to perform a forensic document search. Theo hopes this will mean that she’ll be left in the care of the man she calls “Father”, Professor Kiladi, and is horrified to learn that Kamele means to bring Theo with her!”
“Theo, star pilot wannabe and troubled misfit has been accepted, against all her expectations, to Anlingdin. It’s the Hogwarts of star piloting academies, and Theo has been selected to train there with the best-of-the-best. Even better – she can finally leave behind the gawky, misfit days of teenage angst her previous life so complicated before. Great Liaden star pilots are born with a bang and not a whimper – and Theo has set a course to graduate from misfit to genuine maverick.”
“Theo Waitley is an ace starship pilot – and pure maverick. Her mom is a renowned Terran scholar and her birth father is an interstellar aristocrat in hiding. She still feels like a socially challenged misfit. But after being selected to train with the best-of-the-best at the pilot academy, she figures she can leave behind those gawky, misfit days of teenage angst that made life so complicated before! But for Theo, life is about to get even MORE complicated – and deadlier still. For even though she’s survived the Academy and become one of the best pilots in the galaxy, the past is about to blast her with gale-force winds. Theo can run, but she can’t hide. Her destiny as master pilot and leader of a powerful Liaden clan calls, and there are lots of enemies who will try to make sure she’s quite dead before she has the chance to make an answer.”
“First Class Courier Pilot Theo Waitley was already known as a nexus of violence – and then she inherited the precarious captaincy of a mysterious self-aware ship designed to serve a long dead trader. Now she has a trade route to run for Clan Korval while she convinces the near-mythic ghost ship Bechimo – and herself – that she wants to commit herself as the human side to their immensely powerful symbiosis. While her former lover battles a nanovirus that’s eating him alive, she’s challenged to rescue hundreds of stranded pilots and crewmen from an explosive situation in near orbit around a suddenly hostile planet. Lovers, enemies, an ex-roomie, and a jealous spaceship are all in peril as Theo wields power that no one in the universe is sure of – especially her.”
I read Fledgling and Saltation in their original serialized format and being able to listen to the story unfold in a more continuous manner worked better for me. I was able to mentally create a tighter weave for the plot threads and noticed links I hadn’t before. The character arc for Theo is natural and enjoyable to see progress. Fledgling has something of a YA feel to it as Theo begins to reach physical maturity and we see her navigate friendships and school. I felt a distinct sense of discomfort at the social/cultural construction of the world of Delgado. The concept of a “Safe World” with its minders and monitors and the encouragement to medicate for those outside the norm was disconcerting in all its kindly possibility. The academic positioning and intrigue, rather than being a distraction or taking away from Theo’s story, was organic and equally intriguing and led nicely into the next phase in Theo’s story.
In Saltation, the changes in Theo are more evident. The skill she almost takes for granted is jealously eyed by many of her classmates. Her intense focus on what she wants to accomplish is to the detriment of her social connections and as a listener, I can’t say that it endeared her to me but in part, that was due to not liking in others what we dislike in ourselves. What played nicely against anything I interpreted as a negative in Theo’s personality was her positioning as a “nexus of violence.” In essence, the fact that she became a scapegoat for what I’m going to call ethnocentrism (although I fear that’s not quite correct) on the world of Eylot made her much more sympathetic.
I was particularly fond of the intertwined stories in Ghost Ship and Dragon Ship. As Theo takes on piloting duties, first as a courier and then as the pilot of her own ship, she begins to learn about the life her father led long ago. She also has to figure out what her place is and what it means to be under Korval’s wing. The main story line, while not necessarily episodic, does find Theo moving from world to world and encountering a new set of conflicts at each one. Two threads tie it all together nicely: the role played by the Department of the Interior in her troubles and the progression of her relationship with the sentient ship Bechimo. Add in the uncertainty of the survival of her friend and lover Win Ton and you have a highly enjoyable space adventure.
Eileen Stevens’ narration is difficult for me to grade. When I try to consider it objectively the voice differentiation is excellent, the characters and narrative are delivered in such a way as to allow the listener to discover the story unfolding with each line, the emotions conveyed are believable, and several of the character voices have an incredible natural feel/sound to them.
Two aspects of the delivery bothered me: if several of the voices were “incredibly natural”, why weren’t they all? In addition, the tonal variations – especially in narrative portions – didn’t have the range I expected. Although in no way monotone, the range seemed narrowed in the way that it would be if you were to lean over to a companion in a movie theater to murmur something in their ear, trying not use too much emphasis when speaking at such close range. Part of that is, I believe, Ms. Stevens’ natural voice tone which is why it’s so prevalent during the narrative portions. The other part of it is probably due to the method used for many of the male voices. The mechanical method used to generate a lower pitch makes the voices sound husky but not fully supported.
I don’t consider those to be insignificant issues so I was a bit surprised that the narration worked for me overall. In fact, as I kicked off a re-listen of Saltation in order to begin to pin down the specifics of my complaints about the narration, I found myself listening to the entire book again – not a sign that any perceived flaws in the narration should be considered deal-breakers. Although I suggest listening to a sample of the narration first if you are unfamiliar with the narrator, on the whole it worked for me and if another book in the Theo Waitley sequence is released with the same narrator I’ll buy it.