Angels of Darkness by Ilona Andrews, Nalini Singh, Sharon Shinn

Angels of Darkness by Ilona Andrews, Nalini Singh, Sharon ShinnAngels of Darkness by Ilona Andrews, Nalini Singh, Sharon Shinn
Narrator: Coleen Marlo, Justine Eyre, Renee Raudman
Published by Tantor Media on 10/4/11
Genres: Fantasy, Paranormal, Romance

This audio collection of novellas was a resounding success for me, even though it does not include one of the stories (Meljean Brook’s Ascension) found in the text version. That’s quite a coup considering I usually avoid short-story collections like the plague. All three novellas were very entertaining and the narrations ranged from good to very good.

 

Angel’s Wolf – Nalini Singh

Story: B-
Narration: B

The vampire Noel is sent to Louisiana by Raphael, the Archangel of New York. Nimra is the angel who holds Louisiana. Noel was brutally assaulted while working for Raphael and he assumes he has been sent to Louisiana because he is damaged goods. In reality, Nimra requested assistance after an attempt on her life that could only have come from within her court. The two seek the traitor and find themselves irresistibly drawn to each other along the way.

An entertaining novella set in the world of the Guild Hunter series, Angel’s Wolf is an enjoyable romance with a dash of intrigue. I was slightly disappointed at the overall construction of the character of Nimra because I felt there was a lack of consistency between her softer personality and the entire construction of angelic nature that Nalini Singh has developed but it did remain true the male/female dynamics that play out in this series. I actually enjoyed this story more than I did the last two full-length novels in the Guild Hunter world.

I’ve always thought Justine Eyre’s unique sound was ideally suited to giving voice to the tough guild hunters and remote and often cruel immortals who populate Singh’s world and she doesn’t disappoint with this novella. I initially stumbled over Nimra’s accent but ended up being swept into the story. The delivery of some unexpectedly subtle emotional cues capped off a strong narration.

 

Alphas: Origins – Ilona Andrews

Story: B+
Narration: B+

Karina is chaperoning a school field trip when she pulls off at a motel for a pit-stop. When she and her daughter are attacked before they can leave, she is “rescued” by a frightening creature and the group of men who accompany him. She is forced to make a bargain to save herself and her daughter and agrees to be a blood “donor” for Lucas, the creature who rescued her.

Sound like a semi-typical vampire or werewolf PNR-type story? Yeah, not so much and I’m glad of it because I really enjoyed this one. A heroine who makes realistic decisions in a fantastical situation, totally unsexy blood drinking, interesting power dynamics, intriguing semi-sci-fi world-building, a hero whose actions are understandable but not necessarily appealing, and some engaging psychological musings made this a world and characters I would love to read more of.

True confession moment: I’ve listened to Renee Raudman’s narration before (primarily with Ilona Andrews’ Kate Daniels series) and in the back of my mind I’d think . o 0 (it’s OK but not at all my preferred style).  The fact that I would then go on to listen to the next in the series always puzzled me (I can be a bit slow). With her narration of this novella, I found myself having an entirely different experience. While not dissimilar to her presentation style in other audiobooks, it did come across to me as slightly more subdued and I think that made the difference. It also allowed me to finally identify why I could categorize Ms. Raudman in the “not for me” category but still listen or re-listen to books narrated by her: Renee Raudman simply excels at bringing the listener along on the journey of discovery. I become utterly convinced that events are happening as she reads them and neither she nor I have any idea of the outcome; we discover it together. Combine some well-portrayed humor and emotional content with that particular skill and I enjoyed this audio-novella tremendously. Clearly I need to rethink my categorization of this narrator.

 

Nocturne – Sharon Shinn

Story: B
Narration: B-

Moriah is a woman with secrets but when she encounters Corban, a blind angel, she is unwillingly drawn into helping him. Corban has spent the last two years angry, bitter, and in isolation after a tragic accident took his sight and his faith. When Moriah pushes her way into his life, he is forced to put aside his resentment and start living again.

I really like Sharon Shinn’s Samaria series and I enjoyed this chance to venture back into that world and spend some time with the well-rounded and realistic characters that people it. The romance is a slow-build and it’s really the character development and push-pull interaction between Moriah and Corban that draws and holds my interest.

While I find her voice very appealing, Ms. Marlo either has or employs a very distinct cadence and I found the primary barrier to my being fully immersed in the story the fact that both the narrative and every character had that speech pattern, which inhibits my ability to perceive a realistic differentiation between characters, despite very clear pitch differences. With that said, the narration was still good and there’s such a lovely sense of realism when Moriah voices her amusement that I found myself smiling in response, not just hearing the humor being voiced but feeling it as well.

Bonds of Justice by Nalini Singh

Bonds of Justice by Nalini SinghBonds of Justice by Nalini Singh
Narrator: Angela Dawe
Series: Psy-Changeling #8
Published by Tantor Media on 9/20/11
Genres: Paranormal, Romance

Story: B+
Narration: B+

Sophia Russo is a J- Psy (Justice) who has the ability to pull memories from people and project them to others. Max Shannon is a New York cop with a high case solve rate and natural mental shields that make him impervious to Psy mental manipulation. The two have crossed paths before but when they are both assigned to assist Psy Councilor Nikita Duncan in tracking down a killer in her organization, they are forced to confront the attraction between them. Both have emerged from very difficult childhoods with scars but both have also developed a tremendous inner strength and as they learn to open up to one another I found myself completely drawn in to the developing relationship between the two. The romance is nicely woven between the dual investigations taking place and, perhaps because it is a Psy/Human pairing rather than Psy/Changeling, has a very different feel than previous books in this series.

The romance angle and the threats to Councilor Duncan are only a part of the story. There is also a serial killer who is toying with Sophia and Max as he taunts both them and the justice system with offers to reveal where he has buried his past victims. Also in the mix is Sophia’s degenerating psychic shields (common to J – Psy, who tend to burn out early and need frequent “rehabilitation”), the ongoing political upheaval in the Psy Council, and a minor story-line regarding Max’s brother.

This is book eight in the Psy/Changeling series and it was a turning point for me in a couple of different ways. My initial enjoyment of this series had started to fade by book six but book eight really renewed my interest and started developing more over-arching series plot points.  Having read the entire series in paperback, I went to the audiobooks for a “re-read” and found that even some of the books I didn’t like as well as others took on new life and new enjoyment in audio form. I loved the first two audiobooks and liked the third but I had some issues with pauses in the narration in books four through seven. With book eight, I think Angela Dawe turns in her best narration of the series. Of course, this happens to be my second favorite book in this series so that helps too.

This book is also where I came to really appreciate the way that Nalini Singh juggles multiple suspense story lines, the political sub-plots, the primary romance, hints for future plot lines, and catching us up (briefly) with characters from previous books. There is a very seamless flow to the story lines and they all pull together nicely. This book also gave me some needed insight into Nikita’s feelings towards Sascha and this was the first time Kaleb Krychek hit my radar as a possible lead character for a later book.

Max and Sophia’s primary focus is the case they are working and there is a bit less (which isn’t to imply it’s not prevalent still) romance/sex in this one. That worked to solve one issue that I noticed after listening to the audiobooks in such close temporal proximity to one another – there is quite a bit of repetition in the phrasing used during the sex scenes.

Since I listened to this book on vacation, I had a lot of time to consider the narration of this book, especially since there seems to be a very distinct division in opinion regarding that. Plus, lots of driving time with my brain in neutral leads to lengthy reviews so….

I have enjoyed the narration for this series but, in part, I chalked that up to a preference for (or at least not a dislike of) more subdued narration. With this book I started to analyze other reasons I might find the audiobooks so successful at delivering the story and as I listened to Bonds of Justice, I realized that to make the Psy interesting to listen to, they have to be given a blunted affect, not the blank affect they are described as having. It would provide too great a contrast if the non-Psy characters were given dramatic voices so structurally, the narration is pretty well thought out. In addition, as we catch up with Lucas and Sascha in little snippets in this book, the growing increase in emotion in Sascha’s voice is rather delightful to hear.

I also found myself interested to note another characteristic of Angela Dawe’s narration. I could invariably tell when the sentence following a spoken line of dialogue was going to refer to the character’s voice as husky, or strained, or generally altered in some manner because the voice that was delivered was so distinctive in that characteristic. I actually found myself mentally composing that descriptive sentence each time the line of dialogue was ending. That seems a no-brainer because shouldn’t all dialogue be delivered with textual accuracy?  But it was so very ear-catching in this series. I think this is a reflection not just of a very tight adherence to textual voice descriptions but the fact that all other dialogue was managed primarily through a narrower than anticipated range of modulation and a more steady cadence of speech than normal, which I suspect has the effect of leaving some listeners unmoved by the narration.

My only qualm with the narration of this book is that at times, I found myself confusing Max and Sophia’s voices at the start of quiet dialogue between the two. This is because Sophia is given a slightly husky voice in a lower register but I really liked her voice so my ability to be confused is a minor quibble.

This was a very good audiobook and on the whole, I would recommend the series (excluding Mine To Posses) in audio format for a first read or a re-read.