Night of Cake & Puppets by Laini Taylor

Night of Cake & Puppets by Laini TaylorNight of Cake & Puppets by Laini Taylor
Narrator: Kevin T. Collins, Khristine Hvam
Series: Daughter of Smoke and Bone #2.5
Published by Hachette Audio on 12/5/13
Genres: Fantasy, Romance

Story: A
Narration: A-

Quick Review:

Adorable! An amusing and romantic short story set in the generally more serious universe of Daughter of Smoke and Bone. The dual narration was unexpectedly perfect. Honestly? Don’t bother with the review, just go buy the audio.

Publisher’s Blurb:

In Night of Cake & Puppets, Taylor brings to life a night only hinted at in the Daughter of Smoke & Bone trilogy—the magical first date of fan-favorites Zuzana and Mik. Told in alternating perspectives, it’s the perfect love story for fans of the series and new readers alike. Petite though she may be, Zuzana is not known for timidity. Her best friend, Karou, calls her “rabid fairy,” her “voodoo eyes” are said to freeze blood, and even her older brother fears her wrath. But when it comes to the simple matter of talking to Mik, or “Violin Boy,” her courage deserts her. Now, enough is enough. Zuzana is determined to meet him, and she has a fistful of magic and a plan. It’s a wonderfully elaborate treasure hunt of a plan that will take Mik all over Prague on a cold winter’s night before finally leading him to the treasure: herself! Violin Boy’s not going to know what hit him.

My Thoughts:

I think I’m pretty much onboard to read anything Laini Taylor wants to write but when I heard that there was an upcoming novella about Zuzana and Mik – characters from the fantastic Daughter of Smoke and Bone series – I… er… I may have squeed aloud. A little bit. And pestered @HachetteAudio to find out if there would be an audio version. Some of my favorite scenes in Daughter of Smoke and Bone and Days of Blood and Starlight contain Zuzana. As the perfect humorous foil for the darker material in the book, she got most of the funny lines and I glommed onto her like a raft in the emotional storm that was Karou’s life. I was pleased to discover that this novella lived up to my expectations.

Although we get a short glimpse of the early friendship between Karou and Zuzana, the story is primarily about Zuzanna as she plots her first date with Mik and leads him on a treasure hunt to get to it. Unexpectedly, we also get to hear Mik’s perspective on this adventure. Both characters speak directly to the listener which is a conceit that can sometimes be a bit problematic for me when it’s overdone or seems too clever. In this case it worked perfectly and made me feel like I was overhearing a conversation in a coffee shop the day after a first date.

In addition to the magic of romance, there’s a little of the real magic that inhabits the DoSaB world and they blend together well. As in the full-length novels, Prague comes alive in the story and the atmosphere of one snowy night in that ancient city is a vivid construction in the listener’s imagination. The imagery is beautifully rendered and the phrasing is well-written. This is a sweet, adorable, and laugh-out-loud funny story that’s a perfect companion to the series or a lovely stand-alone listen when you’re in the mood to be charmed.

I was going to include some quotes of the amusing or well-worded parts of this novella but then I realized I’d been cutting and pasting practically the entire book and decided…perhaps not. As a short précis of Zuzana, though, I can’t resist:

“I mean, who would I be if I’d been raised on milquetoast bedtime stories and not forced to dust the glass prison of a psychotic undead fox Cossack? I shudder to think.

I might wear lace collars and laugh flower petals and pearls. People might try to pat me. I see them think it. My height triggers the puppy-kitten reflex – Must touch – and I’ve found that since you can’t electrify yourself like a fence, the next best thing is to have murderer’s eyes.”

and a bit later…

“Anyone with an older brother can tell you: Cunning is required. Even if you’re not miniature like me – four foot eleven in a good mood, as little as four foot eight when in despair, which is way too often lately – morphology is on the side of brothers. They’re bigger. Their fists are heavier. Physically, we don’t stand a chance. Hence the evolution of ‘little-sister brain.’

Artful, conniving, pitiless. No doubt about it, being a little sister – emphasis on little – has been formative, though I take pride in knowing that Tomas is more scarred by years of tangling with me than vice versa. But more than anyone or anything else, it’s Deda who is responsible for the landscape of my mind, the mood and scenery, the spires and shadows. When I think about kids (which isn’t often, except to wish them elsewhere and stop just short of deploying them hence with my foot), the main reason I would consider…begetting any (in a theoretical sense, in the far-distant future) is so that I can practice upon small, developing brains the same degree of mind-molding my grandfather has practiced on us.”

As for Mik…the cat analogy… oh, the cat analogy. It was brilliant and amusing and so well voiced by Kevin T. Collins that I’m not going to quote it but only suggest you listen to it yourself. This novella is well worth a listen and likely several re-listens.

The Narration:

I was concerned when I saw that this novella was going to be voiced by dual narrators. I was please to see that Khristine Hvam would be narrating – after all, she does such a great job with the full-length books in the series – but why did we need another voice? Well, aside from the fact that the story is actually broken out into “Her” and “Him” alternating sections, as it turns out, Kevin T. Collins was awesome as Mik.

Each narrator brings personality and individualization to the characters: from the squeak when Zuzana gets excited about what she’s saying to the tentative uncertainty Mik displays and the way in which Mr. Collins leverages perfect inflections to build the character and his mood and personality in my mind, this pairing was audio gold.

Why the “-” to the A” grade? I heard a little inconsistency in Zuzana’s accent and Mr. Collins uses a lot of breath(iness) to push out Mik’s lines. These were very minor issues as the narration was above average and makes audio the way to go with this story.

Never Seduce a Scot by Maya Banks

Never Seduce a Scot by Maya BanksNever Seduce a Scot by Maya Banks
Narrator: Kirsten Potter
Series: The Montgomerys and Armstrongs #1
Published by Tantor Media on 9/25/12
Genres: Historical, Romance
Format: Audiobook
four-stars

 

Story: B+
Narration: A-

Once Upon a Time…:

There was a little girl who liked to be told stories that transported her to another world… and every now and again I find an audiobook that reminds of that joy I felt as a child at being read to. The fact that this audiobook was nominated for an Audie award in the romance category as well as its place as the first in a new series whose second book (soon to be released) piqued my interest prompted me to pick it up. I’m glad I did because I enjoyed this audiobook tremendously. Through much of the book, I felt a lot like a kid who was sitting down for story-time at the library (erm, not during the sexy bits though) – including moments when I talked back to the “reader” of the book as I got caught up in the story and couldn’t help myself.

In a Land Far Over the Mountains and Across the Ocean:

“Eveline Armstrong is fiercely loved and protected by her powerful clan, but outsiders consider her “touched.” Beautiful, fey, with a level, intent gaze, she doesn’t speak. No one, not even her family, knows that she cannot hear. Content with her life of seclusion, Eveline has taught herself to read lips and allows the outside world to view her as daft. But when an arranged marriage into a rival clan makes Graeme Montgomery her husband, Eveline accepts her duty -unprepared for the delights to come. Graeme is a rugged warrior with a voice so deep and powerful that his new bride can hear it, and hands and kisses so tender and skilled that he stirs her deepest passions. Graeme is intrigued by the mysterious Eveline, whose silent lips are ripe with temptation and whose bright, intelligent eyes can see into his soul. As intimacy deepens, he learns her secret. But when clan rivalries and dark deeds threaten the wife he has only begun to cherish, the Scottish warrior will move heaven and earth to save the woman who has awakened his heart to the beautiful song of a rare and magical love.” – blurb via Goodreads

There Lived a Princess:

There’s a lot in this story that’s reminiscent of Disney-version fairy tales like Cinderella and Snow White. The persecuted heroine (take your pick from: Eveline fears marriage to a brute of a suitor who terrorized her; within her own clan she’s scorned by some for her seeming lack of faculties; after marriage to the chief of her clan’s mortal enemies she’s reviled for being an Armstrong as well as simple, etc.) eventually finds her prince in a castle (OK, a Scottish keep if you want to be picky), faces the hatred and mistrust of the keep’s women (evil step-sisters, anyone?), is set to work at menial tasks (including floor scrubbing), is kidnapped and rescued by her “prince”, and lives happily ever after.

Who Found Her Prince:

Although Graeme Montgomery is laird of his clan and a fierce warrior, he’s nothing but gentle and understanding when it comes to Eveline: traits I find uncommon in a romance hero outside of a beta hero construct, which Graeme definitely isn’t. The conflict in the story is primarily external to the relationship between the two. Graeme and Eveline both want to find a way to make their pairing work – initially because neither blames the other for their forced marriage or the history of war between their clans and eventually because they fall in love. It’s clan vs. clan conflict, Eveline struggling for acceptance by the Montgomery women, and the late-in-the-game appearance of an evil-doer that drives the story.

Until a Curse Came Between Them:

Eveline made a pretty stupid decision several years previously (for mostly understandable reasons) and is trying to find a way out of the consequences of that choice. That’s part of why she seems so young to me. Add to that the resistance and mocking she receives from the women of the keep and there’s a certain feel of grade school bullying that adds to my impression of her as very young and naive. It also sets her up as a very sympathetic protagonist. Since the story starts with her being pushed out of the protective arms of her family by marriage to Graeme, we meet her at the point at which she’s starting to grow up and trying to make the best of what she’s been handed. She has the requisite “plucky” moments but overall, her arc of character development was very enjoyable.

And Evil Swept Her Out of the Arms of the Prince, who Strove Mightily to Rescue her:

The tension ratchets up at the end of the story as Eveline finally has to contend with her long-ago suitor who is intent on preventing the Armstrongs and Montgomerys from uniting through the marriage and although the ending is never in doubt, several plot threads are tied up nicely and there’s a very smooth setup for the next book in the series.

And They All Lived Happily Ever After:

Really, I just found this to be a sweet story with very likable protagonists who are pitted against outside conflict but who triumph over adversity and find their HEA. Close family interaction – one of my favorite ingredients in romances – combined with a youthful heroine who teased a ghost of protectiveness from me and a caring hero who doesn’t act like an asshat left me with a happy smile on my face when I finished this one… within 12 hours after starting it.

The Narration (aka “I’m Sure I Could Stretch the Fairytale Structure of the Review Sections to Include a Bard but…”):

Also in aid of leaving me with the impression of sitting down to be enthralled with a tale is Kirsten Potter’s delivery. Within a very clear and measured narrative is also an impeccable sense of timing that paces the story perfectly to maximize listener engagement during action-heavy sections and allow more quiet and contemplative reflection with scenes of softer emotion. The one delivery point with which I take issue is during sex scenes. That niggle about the narration kicked off a broader set of thoughts for me so although my discussion of what bothered me takes up a lot of page space, please be aware that it was a very minor thing. The narration was excellent overall and I absolutely recommend the audiobook version.

Romance is most often written in such a way as to make sex scenes (pardon the expression) the climax of the book or at least make it the linchpin of a character arc that’s been building for a while. Because structurally the story is peaking at that point in terms of pacing and emotional build-up, the addition of strong vocal dramatics such as overt breathiness or really ramping up the intensity of the delivery usually pushes it too far over the top for me. In general, subtle will always work better at those moments and Ms. Potter is close the least subtle narrator during sex scenes that I’ve heard. (You can and should take that with a grain of salt, however, since I skip the more theatrical narrators entirely.) Of course, attempts at straight analysis aside, it may also be that I’m a typically prudish American who feels uncomfortable if you’re talking too loudly about sex. ;-)

In a generic reflection on narrators/narration and romance audiobooks, I sometimes wonder how much narrators with formal training as stage actors have to work to pull back their performance in recognition of the fact that the audience is no longer twenty plus feet away from their voice but rather, in the case of earphones, mere millimeters. It also occurs to me that a narrator of a romance title who prefers to work with a different genre may (incorrectly, I would argue) perceive sex scenes as the point of the story and so maximize their emphasis there unnecessarily.

But enough of that. Back to the actual narration! I wouldn’t know an authentic Scottish accent if it walked up behind me and whispered sweet nothings in my ear (although I wouldn’t mind an opportunity to test that theory) but the accent Ms. Potter employed worked well with the caveat that I think the physical construction of how she achieved the accent made every character occasionally sound as if they should be carrying a handkerchief to mop up some spit spray when they spoke with emphasis.

In any story with multiple brothers (in this case, two different sets), voice differentiation can be problematic but that wasn’t the case here. Each brother (three in the Montgomerys and two in the Armstrongs) was distinct in voice and I had no problem determining who was speaking. Also of note since brothers in romance novels seem to invariably get their own story, all the voices were appealing. I could finish up here with additional comments on the technical aspects of the narration that made it a very successful listen for me but they all boil down to the same result: these characters felt real to me, the events were given immediacy, and I was immersed in the story to the point that I forgot it was being narrated.

four-stars

Good for You by Tammara Webber

Good for You by Tammara WebberGood for You by Tammara Webber
Narrator: Kate Rudd, Todd Haberkorn
Series: Between the Lines #3
Published by Brilliance Audio on 12/3/12
Genres: Romance
four-stars

Story: B
Narration: A-

Quick Review:

This was a highly enjoyable romance with protagonists who step outside some commonly seen themes to develop into complex characters with depth. The dual narration works extremely well and enhances this first person contemporary YA/NA quite nicely.

Goodreads Summary:

“Reid Alexander’s life is an open book. His Hollywood celebrity means that everything he does plays out in the public eye. Every relationship, every error in judgment is analyzed by strangers. His latest mistake totaled his car, destroyed a house, and landed him in the hospital. Now his PR team is working overtime to salvage his image. One thing is clear – this is one predicament he won’t escape without paying for it.

Dori Cantrell is a genuine humanitarian – the outward opposite of everything Reid is about. When his DUI plea bargain lands him under community service supervision, she proves unimpressed with his status and indifferent to his proximity, and he soon wants nothing more than to knock her off her pedestal and prove she’s human.

Counting the days until his month of service is over, Dori struggles to ignore his wicked magnetic pull while shocking him with her ability to see past his celebrity and challenge him to see his own wasted potential. But Dori has secrets of her own, safely locked away until one night turns her entire world upside down. Suddenly their only hope for connection and redemption hinges on one choice: Whether or not to have faith in each other.”

My Thoughts:

What starts out as some often seen (and often simplified) themes in romance novels – a good girl (preacher’s kid), a bad boy (and a movie star to boot), and sparks flying as the two butt heads when forced by circumstances to interact – reveals itself to be more than the initial setup might suggest. I haven’t read the first two books in this series (and by the way, this one worked very well as a stand-alone) so I didn’t have any preconceptions about the character of Reid but I hear he was a bit of a jerk in the earlier books. While he was definitely a spoiled and self-centered movie star to kick off the book, he wasn’t unbearable and as the story progresses not only does his personality begin to change in response to his experiences but his actions are understandable given his history. His shift in personality and his desire to be better than he was seemed reasonable to me and I enjoyed his transformation.

Dori was the protagonist who benefited the most from the in-depth characterization she was drawn with. She judged Reid pretty harshly (understandably so) to start with but found herself drawn to him anyway. I reached a point in the story where everything could have wrapped up nicely into a romantic resolution but with more than half the book left, Dori started coming into focus and carried much of the rest of the story for me. She could easily have been a goody-two-shoes but she had some real (and realistic) struggles with her faith that were backed up by an unexpected history that broke my heart. Her present wasn’t all sunshine and rainbows either.

The struggle between Dori and Reid to establish a relationship was lengthy and it was interrupted part-way through as they pushed each other away and as life pulled them in separate directions. Usually this interruption of “together time” in the middle of a romance would make the book seem drawn out but it worked particularly well for me here because each of them needed to see what life without the other felt like. Dori in particular had to figure out what need Reid met (besides the obvious – nudge-nudge-wink-wink) in her life.

I often find literary characters who evince a religious faith to be written in a manner inconsistent with my experience with religion in real life. They seem to hit an extreme end on the spectrum: either overzealous and so preachy as to be irritating or a former believer whose faith has been crushed by tragedy and now they reject religion entirely. Dori’s religion was a real-world version and she questions it as life throws curve balls her way. It was also a part of who she was and for once, I didn’t get a sense of authorial intent behind the inclusion of faith – that was simply who this character needed to be.

I really enjoyed this audiobook. I listened to it in a couple long sessions over a two day period and it captured my interest completely and had terrific narration.

The Narration:

Although it isn’t my intent to take away from the author’s ability to make a story containing common romance elements something fresh and engaging because the characters are written as complex and interesting people, the fact that the narrators delivered such contemporary and natural voices for the characters absolutely enhanced my enjoyment of this book. Alternating short chapters that switch first person perspective between the protagonists is an ideal situation for a dual narration casting. The selection of narrators who can swing age-appropriate voices in addition to being very skilled in their craft was a major score. If I have one complaint (and I do) it’s that Dori’s voice, which is described as “lyrical”, is given the slightest hint of an Hispanic accent when read by Todd Haberkorn but not when read by Kate Rudd. While either delivery is fine, it’s the disconnect between the two that I had to get used to.

This was my first listen to one of Todd Haberkorn’s narrations but I won’t hesitate to pick up another with his name on it. He was convincing as a young and spoiled movie star while still managing to not make him so much of a jerk (vocally) that I tuned him out in self-defense. He delivered the emotional gamut the story and character called for and nailed distinctive voices for each character. His delivery was very natural sounding which sucked me right in and I heard Reid as a person rather than a character.

This was my second listen to Kate Rudd’s work (and she’s two for two at making me cry, thank-you-very-much) and she was the perfect pairing to put up against Mr. Haberkorn. Her youthful inflections matched Dori’s age and she was pitch-perfect at the lines that delivered the biggest emotional punch. She also brought a very natural sound to the character as well as providing distinct voices for each of the supporting cast. Her delivery was very effective at providing me with a sense of immediacy as events unfolded.

four-stars

Sharon Lee and Steve Miller’s Liaden Series: The Space Regency Sequence

Local Custom, Scout's Progress, Mouse and Dragon by Sharon Lee, Steve Miller
Narrator: Bernadette Dunne
Published by Audible Frontiers Genres: Romance, Science Fiction

Welcome to the second post about the Liaden Universe audiobooks as produced by Audible Frontiers (the publisher being particularly relevant because I also have a copy of the Buzzy Multimedia version of Local Custom). This one covers the Space Regency sequence. I don’t know who devised that name but it’s perfect for the set of books that includes Local Custom, Scout’s Progress, and Mouse and Dragon. Fair warning for anyone keeping track: if you thought I had a crush on Conflict of Honors from the Agent of Change sequence, it can’t hold a candle to how I feel about Scout’s Progress. Don’t worry, though, that’ll be my last squeal-y fan-girl moment.

The Story Line(s):

Warning: it’s distinctly possible there will be spoilers in the following plot summaries and review. I do my best to avoid disclosing anything that would ruin your enjoyment of the books if you know it ahead of time but of course, my judgment on that might not match how you experience books.

Unabridged Length: 11 hrs 31 mins

Local Custom

Liaden and Master Trader Er Thom yos’Galen knows he must marry. His family (Clan Korval) has become a bit thin on the ground and if they are ever to increase their numbers to a sustainable level, ever clan member must do his or her part to provide an heir. The problem is that he just can’t stop thinking about Terran scholar of comparative linguistics Anne Davis with whom he had a brief affair. When he makes a trip off-world to see Anne one more time in the hopes he can finally put her from his mind, he discovers the bond between them isn’t going to be easily put aside.

Anne is delighted to see Er Thom but there’s just one problem: when he left, she did some things in accordance with her customs that are in direct opposition to how things are done on Liad. Above all things, Liaden honor and custom must be satisfied so after being offered an opportunity to complete the life’s-work of a Liaden scholar she had been corresponding with, Anne accompanies Er Thom to Liad for a meeting with his delm. On a world with little respect for Terrans, Anne and Er Thom must battle both family and custom to win through to love and even life.

Scout’s Progress

Unabridged Length: 11 hrs 13 mins

Clan Mizel’s middle daughter, Aellianna Caylon, is a brilliant scholar of mathematics. As the reviser of a set of math tables used in building piloting equations, she’s honored and admired by the Liaden Scouts (think Exploratory Corps) that she teaches. At home, however, she is far from honored by her clan. Her older brother delights in tormenting her and she’s survived by keeping her head down and keeping quiet. When an unexpected turn of luck makes her the owner of a spaceship, the clock begins ticking on her race to win her freedom.

Daav yos’Phelium is contracted to wed but that decision rests uneasily with him. Seeking distraction by performing casual labor at the Binjali repair yard, he encounters Aelliana Caylon. Acting as a piloting instructor for the skittish math instructor is second-nature for the ex-Scout and head of Clan Korval – after all, the clan values pilots and ships above all else – but with every lift where he stands as co-pilot to her, the bond between them grows. When Aelliana’s brother learns she owns a spaceship, he plans to take it from her…at any cost. Will Daav lose her when she takes to space and a new life or can they fashion a solving between them?

Unabridged Length: 12 hrs 27 mins

Mouse and Dragon

I’m going to have to grab the blurb on this one from Goodreads. If you plan on reading Scout’s Progress, may I suggest skipping any and all plot summaries of Mouse and DragonView Spoiler »

My Thoughts:

I listened to a set of interviews of the narrators chosen for the Liaden Universe audiobooks and in the post’s introduction to the interview with Bernadette Dunne, the author wrote “…that Local Custom and Scout’s Progress were written as tributes to Heyer…” For a long time I’ve described these books as “if Jane Austen wrote sci-fi” but I’m going to have to amend that to “if Georgette Heyer wrote sci-fi” because I think that’s a better stylistic match. I don’t think I can quite call it a comedy of manners but with this series I particularly enjoy the subtle formality of the phrasing used to represent the use of the various modes of high and low Liaden tongue. It’s deeply amusing when it is employed (as it often is) in pursuit of dry humor. In fact, I find the writing style/phrasing in these books so immersive that for days after finishing one of the books, my own communication style – from e-mails to conversation – takes on a more formal tone and subtle humor.

The structure of Liaden society, while not quite defined as class-based, has a primarily closed social group comprised of the clans. The clans are further broken out into high, middle, and low houses who engage in activities reminiscent of what you might find in an historical romance: social occasions I’d liken to a ball, from which one might find themselves stricken from the invitation list; social slights and snubs; devastating verbal put-downs – usually in the aristocratic (my term) High Tongue – for social gaffes; arranging contract marriages in an attempt to increase the financial standing of a poorer clan; and more. Although I enjoy the romantic elements in this sequence, there’s certainly more to it than that.

Even the name given to the overall Liaden Universe series implies some in-depth world-building but although the world is fully defined and complex, its place in the story is how it defines and informs the characters rather than existing as a construct that distracts the reader with all its flashiness and unique devising. That’s part of why the fact that these stories are science fiction shouldn’t dissuade a reader leery of that genre from picking them up – especially the first two books. By the same token, if you enjoy spec-fic and are taken aback by the “Regency” part of the sequence name, don’t let it scare you away. Simply put, these books tell stories – those of Er Thom and Anne and of Daav and Aelliana – and if the slice of time we get to see in the lives of, say, Daav and Aelliana happens to contain a smoothly woven blend of math, space ships, games of custom and manners, daring flights of rescue to off-world ports, family conflict, social strictures, life-threatening events and love… well, real life can be just as full and complex can’t it? That’s why I enjoy these books so much: they contain multi-dimensional characters who could be real…somewhere.

Coming as it did after my original reading of the Agent of Change sequence, Local Custom was a welcome glimpse into half of the family from which Val Con and Shan originated. Er Thom and Anne Davis, however, quickly took their own place in my affections. Watching these two navigate their relationship through the filter of their own “local custom” (and the misunderstandings caused by that) was enjoyable. Although clan members of either gender have contract marriages arranged for them, the fact that it’s the man who struggles with plans for an arranged marriage is a nice bit of turn-about to what I’m accustomed to in historical romance. The way in which family – both as supportive of the protagonists and as a point of conflict and opposition – is tied into the weave of this story is particularly appealing to me.

In the Agent of Change review post, I mentioned Miller/Lee as my “desert island” authors. Should the need for my services pounding coconut husks into paper pulp never materialize, the next best scenario is to be stranded with is my copy of Scout’s Progress. Just to be clear… Favorite. Book. Ever.

As much as I’d like to say “talk trash about this book and I’m up for a throw-down with you,” I can see why it wouldn’t appeal to readers with certain character preferences. With the current trend in spec-fic being for kick-ass heroines, Aelliana Caylon might be a challenging figure if that’s your bent. Self-described as “craven,” she begins the story as a sympathetic but far from strong character. What this story does have that offsets that is the best character development arc I’ve encountered. Returning to my comment on how fully developed the author’s characters are, Aelliana is a completely human mix of characteristics. Her social and physical tentativeness is in contrast with her unquestioning belief in her intelligence and skill with math. While she may start at a low point in self-confidence and strength of will, the ways in which she gradually changes in response to events in the story is realistic (no sudden plot gift that allows her to do a 180° character flip – she has to work for everything) and by the end of the tale, it’s clear that the heroine can (and even must) rescue herself.

As for my thoughts on Mouse and Dragon … this book is excellent but it both makes me the romantic in me happy and breaks my heart. I wouldn’t want to change anything about it but…. I’ll let you discover this one for yourself.

The Narration:

(Not so much the narration itself as a comment on what I learned from the audio version: apparently I’ve been (mentally) pronouncing half the proper nouns in the Liaden Universe accented entirely different than the authors’ presumed intent.)

I’ve listened to several audiobooks narrated by Bernadette Dunne and she is, without a doubt, an extremely talented narrator. Even when I wasn’t immediately sold on her casting as the narrator of a particular book (because the tenor of her voice doesn’t immediately make me think “young protagonist” or some such thought) I wouldn’t get very far into the story before becoming immersed in it and forgetting about my unnecessary casting concerns.

As a text reader, I almost never build such a strong image of a character that switching to an audiobook version throws me because the narrator’s interpretation doesn’t match the one my internal reader has developed. A few of the books in this series turned out to be the reason that last sentence included “almost” before “never” because I have such a familiarity with many of the Liaden Universe books (I may have actually spoken several lines in sync with the narrator) that it seems I did develop a pretty rigid preconception on one point: I mentally hear the cadence of the more formal Liaden-style phrasing (especially that containing humorous undertones) differently than the narrators of this series (up until Kevin T. Collins’ delivery in the Books of Before sequence; apparently he hears it the same way I do.) I find that to be my one hang-up with the narration of this sequence but that turned out to be a small issue because whatever my initial expectations, it’s the consummate skill of a narrator like Bernadette Dunne that reminds me that an actor who can convey the story in such a way that

  • The events in the book have an immediacy because the narrator speaks her lines as if she was each individual character and those characters are discovering the events of their lives at the very moment they occur
  • The intonations and inflections used are the natural product of a varied cast of characters who experience a wide range of feelings and are not used to artificially modulate words in an attempt to convey an emotion the narrator isn’t feeling
  • The basics of voice delivery – clearly differentiated characters, easily determining male from female voices regardless of contextual clues, age-appropriate voices – are all present
  • The narrative sections are given just enough emotion that they enhance the dialogue and never come across as a character in their own right
  • Scenes with dialogue have a natural flow because each line is responsive to the previous one

will almost always blow my pre-conceived notions out of the water and let me sink into the story.

In addition to the above narration aspects, one particular area where Ms. Dunne handily exceeded my inner reader was in her ability to work with the punctuation. Scout’s Progress makes liberal use of dashes to indicate Aelliana’s hesitance in expressing herself and my internal reader invariably stumbles over that profusion. Not so, the narrator of the audiobooks.

In the final analysis, if you’re coming to this audiobook with no preconceptions, you should be nothing but pleased. If you have a delivery expectation built on how your internal reader performs, you may be initially uncertain but should soon be sucked under with an immersive performance. In fact, I kicked off a second listen to Scout’s Progress and heard a nuance in delivery that I missed the first time because my internal reader had finally shed her rigid expectations.

Rating:

This sequence earns an unreserved (and uncommon) A grade from me for the books while the narration is a B+.

Sharon Lee and Steve Miller’s Liaden Series: The Agent of Change Sequence

Agent of Change, Conflict of Honors, Carpe Diem, Plan B, I Dare by Sharon Lee, Steve Miller
Narrator: Andy Caploe
Published by Audible Frontiers Genres: Romance, Science Fiction

This post is the first of four that discusses the audiobook versions of Sharon Lee and Steve Miller’s Liaden Universe books. I’m going to break the posts out using the four groupings that Audible.com assigned to the series when they produced it under their Audible Frontiers imprint and am starting with the Agent of Change sequence that contains the books (in order) Agent of Change, Conflict of Honors, Carpe Diem, Plan B, and I Dare. I originally read the Liaden books in order of publication, starting with Agent of Change way back in 1988, and if you want the short version of the review it’s this: I loved them then, I love them now, and the audio versions are worthy as either companions to or replacement versions of the text copies.

If you’re new to the Liaden Universe, I’m starting with a broad overview of the world as well as a short summary of the individual books in the Agent of Change sequence. I’m not sure I could do justice to the interwoven plot complexities of this series, even if I wrote out individual reviews for each book, but I’ll do my best to hit the high points in an effort to convince you these books are well worth your time. If this is all old-hat to you and you’re just curious about the audio versions, feel free to move on to my commentary on the narration.

The Story Line(s):

Update to original post: I’m a bit chagrined to say that it’s been brought to my attention that the summaries below may contain spoilers. I don’t believe there’s anything that will impact your listening enjoyment but let’s face it, I now have such a familiarity with these books that I can no longer recall what struck me as unexpected and what didn’t.
 

Space ships, adventure, conspiracy, a touch of the paranormal, danger, and romance! What, you want more? How about eight-foot tall sentient space-faring turtles? It may sound like an odd combination but this series is a perfect (and perfectly seamless) blend of everything I love in a story. OK, the turtles were an unexpected (and very fun) surprise but…

The overarching story of the Agent of Change sequence is that of Clan Korval – a family group based on the planet Liad – whose history has led them to acquire, honor, and protect space ships and their pilots. Liaden society has very strict social rules that define a code of behavior (the Code). A Liaden acts according to the Code and his or her melant’i (personal sense of honor) in any given situation. Obedience to the Delm (head) of the clan is paramount and he or she will act in the best interest of the entire clan, including arranging contract marriages for its members. Korval is considered first among the clans of Liad but recent events have whittled their numbers down to a dangerously few handful.

Unabridged Length: 11 hrs 57 mins

In Agent of Change, Val Con yos’Phelium has temporarily passed the powers of Delm to his cousin and foster-sister and has been working off-planet under the aegis of the Liaden Department of the Interior as a spy. Miri Robertson, self-described Terran and retired mercenary, is being hunted by the Juntavas (think mafia) after taking a job as a bodyguard for an ex-Juntavas member. When they cross paths, both are trailing trouble behind them but throw in a group of eight foot turtles and orchestrated chaos ensues.

Unabridged Length: 11 hrs 59 mins

In Conflict of Honors, we’re introduced to Val Con’s cousin and foster-brother, Shan yos’Galan, who is Captain and Master Trader of the trade-ship Dutiful Passage. When Priscilla Mendoza hires on as, nominally, Pet Librarian, Shan and Priscilla find they have something in common: they’ve both earned the enmity of Sav Rid Olanek, the Captain of the trade-ship Daxflan. As Priscilla and Shan continue on the ship’s trade route, escalating attempts to harm both ship and crew force a final confrontation.

Unabridged Length: 14 hrs 34 mins

Carpe Diem returns us to Val Con and Miri as they learn that the Department of the Interior is arrayed against them and, in fact, seeks the destruction of Korval in its entirety. Marooned on an interdicted world, they must make the best of things (which includes falling in love) until they can devise a way off planet. There are smaller corollary story-lines involving Shan and Priscilla as well as other members of Clan Korval on Liad as they begin preparations for an offensive against the Department of the Interior.

Unabridged Length: 14 hrs 2 mins

Plan B finds Val Con and Miri off the interdicted world they were stranded on and enmeshed in an attack against the world of Lytaxin, where Miri’s family is housed. An invasion of the war-like Yxtrang has trapped them and prevented Shan and Priscilla from joining forces with them in the battle against both the Yxtrang and the Department. On Liad, the members of Clan Korval are sent into hiding while plans to neutralize the Department of the Interior are being formulated.

Unabridged Length: 20 hrs 56 mins

In I Dare, in addition to the various plot threads involving the members of Clan Korval we’ve already met beginning to weave into a conclusion, Pat Rin yos’Phelium makes his entrance. On the world of Surebleak, Pat Rin is in hiding from the Department but he’s determined not to go quietly. He begins building a base from which to strike back at the Department on behalf of his clan. With the help of the Juntavas “judge”, Natesa the Assassin, he sets himself up as a “boss” in order to build a space port and gather ships to bring against the Department on Liad.

 

Why These Books Rock:

Sometimes you find an author (or in this case, two) who seems able to do no wrong when it comes to writing stories that suit your reading tastes. With each book, I’ve come to expect

  • Believable and imperfect characters that seem like old friends when I catch up with them somewhere in another book
  • Well-paced plotting that snags my interest and doesn’t let go until the story reaches its conclusion
  • Elements of science fiction that intrigue the reader but never overwhelm
  • Romance, to one degree or another
  • Nicely encapsulated plots for each book that never-the-less seamlessly blend into the overall series structure
  • An ideal in terms of sexual politics and gender roles (namely that there are no stereotyped roles) as well as the idea of sexuality as a continuum – none of which seems to shout out for attention because it’s not presented as an agenda item of the author but is simply the makeup of the universe

For those and so many other reasons, Sharon Lee and Steve Miller are the sum total of my “authors you want to have with you when you get stranded on a desert island” list. Er, you have one of those too, right? RIGHT?!

I’ve been working my way through this series with an audio re-read, one after another, and have enjoyed making the plot connections that eluded me the first time around. I’m also finding that the books have held up well against both my memory of how good they are and the passage of time, which can sometimes make books feel dated. I rarely re-read books anymore but for a long time, my battered copy of the Del Rey paperback of Conflict of Honors was my comfort read and it still has a place on my shelves. It may seem an odd thing to say about a work of genre fiction but that book had a surprising influence on my life. With Banned Book Week just over in the U.S., I’ve been thinking about the part books play in our lives and why some people consider them “dangerous” and I can definitively say that books are indeed dangerous creatures. Dangerous in that they can change the way you understand the world, even those seemingly simple genre fiction books. When I read that paperback as a kid, for the first time I understood that someone, somewhere, had a different perspective on the power dynamics of gender than my experience had taught me and, most importantly for me as an adolescent coming to terms with being a lesbian, that somewhere out there (and I don’t mean in the universe between the pages but in the real world as represented by the the mind that created that fictional world) what I was might not be thought such a terrible thing. But enough of my wandering down memory lane. Let’s talk about….

The Narration:

Andy Caploe is the narrator for this sequence of books and this was my first experience with his performance. Initially, I had some qualms about his delivery. My listening preference has always leaned towards a subtle delivery. In addition, I’ll admit to an aural bias in that I find it easier to hear as “real” a female narrator performing male characters than male narrators performing female voices. Mr. Caploe has what strikes me as a voice-over delivery more than a narration; I could easily imagine him as the dramatic voice-over artist for a movie trailer with his deep voice and resonant tone and his deliberate pacing. That kind of voice, while it’s definitely delicious to my ear, is the type that makes it difficult for me to immerse myself in a story without being yanked out by the sound of female characters. But…. (you knew there was a “but” coming, right?) here’s what he does rather well and why I’m glad I listened and why his narration worked for me in the end: in the list of performance markers that I measure a narration against, he hits almost all of them.

His deliberate cadence was a bit too slow for me but it gave full weight and measure to the authors’ words. ‘Chewing the syntax’ is a marker that’s all about acknowledging that authors are (or should be) intentional in their choice of words and Mr. Caploe conveyed his understanding of that with the weight he gave them. He wasn’t just drawling out the lines, he was working them over with deliberation and not tossing some aside as if they were unimportant. The vocal pacing did occasionally get in the way of fully convincing me that the characters were experiencing events in the moment. That sense of ‘the here and now’ seemed more prevalent for some characters than others – primarily those with the most distinctive voices. His delivery of dialogue was good – the back and forth between characters always seemed consistent in reaction with the previous line spoken.

As he cycled through the voices and perspectives of the various characters, I was convinced I was hearing the unique point of view of the individuals and those individuals were all very clearly differentiated. Having read the books previously, I was delighted that the voices created for Edger, Nova, Natesa, the non-specific Yxtrang, and Miri were completely in sync with what I might have done (if I had even the slightest smidge of talent in that arena.) His choices for Pat Rin and Ren Zel were at odds with what I was expecting but a quick evaluation of their characters as outlined in the books told me my expectations were wrong and those two ended up being my some of my favorites to listen to. There wasn’t a call for many accents but the few in play were well done as were the changes in delivery style between Val Con’s moments of Liaden formality, Miri’s rough mercenary speech patterns, and the subtle changes that clearly delineated the different planets of origin. Overall, I’m glad I listened and I ended up enjoying the performance.

If I was grading this sequence – averaging across all five books – it would be an A- for the books and a B- for the narration.

A note on reading order:

The audio versions of these books were produced by Audible.com. They broke it up into four sets of books, which are outlined here. If you’re an Audible member, they also have free hour-long excerpts of each book, which I think is pretty handy. The sequences on the Audible page are in chronological (for the Liaden Universe) order. If you decide to give them a try, here’s my suggested reading/listening order based on your usual genre preference (with my sole intent being to make sure you get sucked in from the start and enjoy this series as much as I do):

If your first choice is Science Fiction:

The Books of Before Sequence, The Agent of Change Sequence, The Space Regencies Sequence, The Theo Waitley Sequence

If your first choice is Romance:

The Space Regencies Sequence, The Agent of Change Sequence, The Books of Before Sequence, The Theo Waitley Sequence

If any series must be read in chronological order no matter what:

The Books of Before Sequence, The Space Regencies Sequence, The Agent of Change Sequence, The Theo Waitley Sequence

Anyone not mentioned above:

The Agent of Change Sequence, The Space Regencies Sequence, The Theo Waitley Sequence, The Books of Before Sequence