Narrator: Allyson Johnson
Published by Audible Studios on 11/11/14
Genres: Science Fiction
Homefront is a thoughtful speculative fiction novel with a nice mix of action and emotion. Although I struggled to remain engaged with it consistently, overall the combination of physical conflict, interpersonal clashes, and internal quandaries kept the story moving forward at a nice clip. The narration allows the listener to easily distinguish between individuals in a diverse cast of characters and enhances the pacing of the story.
In a future world where humanity has been infected with a transgenic virus and individuals have mutated with an unbelievable rapidity to gain enhanced abilities—from telepathy to extra arms or eyes—there are both unmodified humans and a range of modified humans (“mods” or “gennies”) . The latter are divided into something like castes—Alphas as the ruling caste then Beta, Delta, Gamma, and Omega—in descending order of mutation away from an unmodified human form. The mods were exiled to the outer colonies and the story opens as a small contingent of mods are returning to the inner worlds with a cargo of “sleeper” mods to establish a hidden colony.
Jantine is a Beta and captain of the mission to establish a secure and hidden base for her crew and cargo. Although it’s generally expected to be a suicide mission, she succeeds in landing her crew but not before encountering local planetary defense forces engaged in an apparent civil war. The people who surround Jantine are varied and complex. In the moment, they are fully realized characters with varied motivations and feelings. Part of my inability to remain engaged with them, though, is that too much of their back story and how that made them who they are is pushed off until later. I struggled with the dynamics that arced between the mods running the operation and was annoyed with some rapid flip-flopping of emotions that seemed odd for such highly trained “super soldiers.” A lot of the cause for that became clear later but by then, it was a bit too late for me to do my usual readerly bonding with them and I was left with a strictly intellectual curiosity for the story instead.
The introduction of an unmodified human to the group provided a nice basis for some mild pondering on what it was about the mods (other than a physical appearance for some) that caused them to be considered inhuman or worth exiling (as if people need a logical reason, right?) There was also a light vein of philosophical musing to be had about how family is defined and where we choose to place our value in that construction. Lieutenant Mira Harlan is unwillingly swept along in the mods’ plan and finds herself irrevocably changed by her contact with them.
There was a fair amount of head-hopping and while the changes in points-of-view added complexity and interest to the story , they also emphasized the tell rather than show aspects engendered by the amount of internal thoughts that recapped events or motivations. That narrative tool struck me as over used and not in line with how thoughts generally manifest themselves. To an extent, this was also emphasized by my biggest point of contention with the narration style: a tendency to slow certain sentences down and phrase them in a thoughtful manner more often that the text or the flow of general human speech would indicate is appropriate.
Magner does an excellent job conveying the sense of “other” the Mods and their changed physiology (and more to the point, thought processes and perspectives) embody while balancing that against the things that still make them human. There’s a lot that comes to light in the last few chapters and while there’s a general wrap-up, I am interested in what the future holds for the mods and the world they landed on.
If you’re familiar with Allyson Johnson’s narration of David Weber’s Honor Harrington series and enjoyed the audiobooks (as I did) then read no farther, you’re good to go with this one. I admit, I was hoping for the more casual delivery she brought to Kim Knox’s Dark Dealings (which struck me as more organic in tone) but she brings considerable skill to this story nonetheless.
Ms. Johnson excels at differentiating characters, both between individuals and in the typical vocal characteristics that cue a listener to male or female. She’s attentive to the author’s narrative and chews over the syntax in service to it. Her dialogue delivery is reactive and flows naturally and while the frequency with which lines are given a thoughtful and slower delivery chimes against my ear as excessive and not always in line with the context, she still keeps the story moving at a nice pace. The narration on this one actually helped me track through some of the complexities in the story so I suggest you check out the sample and see how it works for you.