Series: Midnight, Texas #1
Read by: Susan Bennett
Length: 9 hrs 29 mins
Published by Recorded Books on 5/6/14
“From Charlaine Harris, the best-selling author who created Sookie Stackhouse the world of Bon Temps, Louisiana, comes a new, darker world – populated by more strangers than friends. But then, that’s how the locals prefer it.
Welcome to Midnight, Texas, a town with many boarded-up windows and few full-time inhabitants, located at the crossing of Witch Light Road and Davy Road. It’s a pretty standard dried-up western town. There’s a pawnshop (someone lives in the basement and is seen only at night). There’s a diner (people who are just passing through tend not to linger). And there’s new resident Manfred Bernardo, who thinks he’s found the perfect place to work in private (and who has secrets of his own). Stop at the one traffic light in town, and everything looks normal. Stay awhile, and learn the truth….”
Charlaine Harris culls two characters from other series she’s written and drops them in the town of Midnight, TX. Manfred Bernardo – a young psychic who makes a living providing scam readings over the internet interspersed with true psychic visions – moves from the Harper Connolly series to this new trilogy. Bobo Winthrop – on the run from a family legacy of racism and violence covered in depth in the Lily Bard series – lands in Midnight and seems to have found his place in the world. Of course, there’s a host of other residents in town who weave into the story and each one is unusual. Bobo’s tenants: pale Lemuel who only comes out at night and the drop-dead gorgeous Olivia Charity are as deadly as they are mysterious. Across the street from the pawnshop Bobo runs is Fiji Cavanaugh – the proprietor of a new-age shop offering occultist paraphernalia and self-discovery workshops – who is a witch with unexpected power and and amusingly named pet cat: Mr. Snuggles.
This book is a tightly woven combination of mystery and paranormal with the cast of a small-town cozy. As a standalone, it works very well. As someone familiar with the characters from her other series, I had a very hard time adjusting. The Harper Connolly and Lily Bard series always struck me as straight contemporaries, despite Harper’s psychic abilities. To find characters from that world thrown into a small Texas town with vampires and werewolves was jarring. Other than the genre change speed-bump, they actually work really well as characters here and anyone unfamiliar with their pasts should find their presence seamless to the story.
As Manfred learns more about the town and its residents, Bobo’s ex-girlfriend’s body is discovered and he’s the primary suspect in her death. To compound his situation, white supremacists who believe he is in possession of his dead grandfather’s weapons cache are eager to do whatever it takes to get their hands on it. The story moves at a nice clip and I found myself entirely engaged throughout. It was only after it was over that I felt the lack of character building. There’s a thin layer of background for each person and an emotional depth (or lack) that’s primarily comprised of longing and unrequited love but with nothing for a reader to really sink her teeth into.
That kind of perceived flaw is usually a significant issue for me but the story was a lot of fun and it was such a nicely paced plot with a well-blended mix of genres and character types that, in conjunction with an audiobook narration that gave so much vocal depth to characters that it masked much of their actual lack of depth, I ended up enjoying this audiobook immensely and recommend it.
This was my first experience with narrator Susan Bennett and part-way through I stopped to look at what other books she’s done with the intent to pick some up. I was very impressed with her performance. First and foremost was the delightfully dry delivery she brought to the humor; she nailed all the amusing lines without missing a beat. Her character interpretations were excellent, giving me fully-voiced personae with clearly transmitted emotional nuances and varied speech patterns. Her voicing of the eventually-revealed villain of the story was excellent and surprisingly hackle-raising in its ability to reveal shifting glimpses of the evil hiding behind a… well, I’ll let you discover that for yourself.
The story opens with a third-person present tense narrative, a la Pushing Daisies, and Ms. Bennett provides the vocal equivalent (via voice tone) of a camera slowly spiraling in on the little town of Midnight as the omniscient narrator lands us in the story underway. With the switch to third-person past, the sense of being present in every moment is nicely delivered and the narration was perfect for my tastes: lightly burnished with a down-home flavor in terms of accents and laconic delivery and sweeping me into the story without distraction.