Read by: Rebecca Soler
Length: 12 hrs 3 mins
Published by Penguin Audio on 6/18/13
A feisty PI, dysfunctional family dynamics, good narration by Rebecca Soler, and a plot that moves along nicely make this a decent, if not groundbreaking, listen.
Josefina “Fina” Ludlow quit law school and became an investigator in her family’s law firm. The firm focuses on personal injury claims and has made its fair share of enemies in the police department so when Fina’s brother, Rand, becomes a suspect in his wife’s disappearance, not only will Fina have to untangle a web of family secrets, she’ll have to do it while racing to beat a hostile police detective to the truth.
Loyalty is constructed of two different story-lines that eventually converge into one. The astute listener (which was not me, in this case) will quickly see at what point they are likely to intersect but the story is engaging and well-paced enough to keep both the clue-solver and the clueless listener involved.
Fina’s father and her three brothers are all lawyers in the family firm but Fina flunked out of law school. In punishment, her father set her to working her way through various jobs at the firm and she found her place (and a mentor and true father-figure) with the firm’s private investigator. She lives at her (deceased) grandmother’s condo and splits her affections between her friend (with benefits) and massage therapist, Milloy, and her friend (with benefits) and inside source at the cop shop, Christian. She maintains contacts in various professions and social strata of Boston – including among the criminal element – and utilizes them when working a case. As she leverages some of them, it becomes clear that Fina’s investigation is seriously irritating someone because they keep trying to kill her or beat her up.
I like a tough PI protagonist as much as the next reader but the combination here struck me as somewhat awkward at times. Sure, Fina was more than willing to take a swing at a bad guy but she spent a lot of time collecting bruises from being run off the road or punched in the face to discourage her investigation. Then, when she confronts some of her more questionable contacts face-to-face (where her primary threats seem to be “I have a gun” or “don’t make me come back here a second time”) she strikes fear into their hearts? I felt that was more “tell” than a pattern of “show” in terms of how tough Fina is.
Fina loves her family but her father is forceful and controlling and she struggles to balance her desire to please him with how she wants to live her life and what she thinks is right. This sets up a nice internal conflict for Fina to accompany the external conflict of the search for her missing sister-in-law, although I would have enjoyed a deeper look into the dynamics there. The steps Fina goes through to track down her sister seemed logical and grounded, in contrast to many mysteries that rely too heavily on coincidence. Boston is the setting for the story but my sense of the city as a character came strictly from the accents used in the narration rather than atmospheric descriptions in the text.
I was slightly bothered by the fact that most of the adversaries Fina encountered in her investigation were categorized as physically unattractive: possessing cleavage that probably had to be “excavated for crumbs” at the end of the day (Lt. Pitney), or fat (multiple characters) and balding (Mark), or egregiously unfashionably dressed (multiple) in contrast to the Ludlow’s fashionable attire and Fina’s beauty, rapid metabolism, and athletic nature. It’s a simplified bad guy vs. good guy shorthand characterization that limited the dimensions of the story for me.
It took a while for the story to get going, not because it was poorly paced but because none of the characters are particularly likable so I needed a better understanding of what their motivations were and how the plot pieces were going to start to twining together before I could sink into the story. The plot winds up to a very strong climax and Fina’s internal conflict as she finally uncovers all the components of her sister-in-law’s disappearance and how her family will be affected was particularly engaging.
I’ve enjoyed Rebecca Soler’s performances in the past (most notable with Cinder) and this audiobook was no exception. She does an excellent job encapsulating Fina’s personality and easily transitions between characters with distinctive changes in tone, accent, and pitch. The accents were well done: typical American, Boston-specific accents used intermittently (among the characters, not within the same character), light Hispanic, and a couple of nicely done mild Southern drawls. She conveys the bored teenager with aplomb while moving into the domineering patriarch with equal skill. Her pacing was good and overall, the production was very clean.
It didn’t get a perfect grade from me because a) I’m starting to prefer slightly more natural-sounding narrative and b) the reactive nature of the dialogue between characters, while good, still felt somewhat as if each character was recorded in their entirety and then another had all their lines recorded and… you get the point. This was certainly not the case but that impression was caused by every character having very smooth and consistent pacing in their dialogue with no breaks or leveraging of pauses to really humanize and individualize the characters as well as the presence of an almost metronomic regularity in conversational “call and response.” Overall, it was still a good narration that should suit any listener.
Disclaimer: I received this book from Penguin Audio via the audiobookjukebox.com Solid Gold Reviewer program.