Narrator: Bernadette Dunne
Series: Under the Never Sky #1
Published by Harper Audio on 1/3/12
Genres: Post Apocalyptic, Science Fiction, Young Adult
The Setting (macro):
A post-apocalyptic earth where, beginning roughly three hundred years ago, Aether storms spent six decades funneling down to the ground in a destructive fury: setting fire to the earth, causing gene mutation, and helping new diseases evolve and thrive.
The Setting (micro):
On one end of the spectrum is a society of pod dwellers who escaped from the Aether by building sealed compounds and creating a virtual reality (called the Realms) to remind them of what they left behind. On the other end are Outsiders who roam the surface and survive primarily in tribes, their survival aided by new abilities that occasionally manifest in some people at a young age. These people (called Scires) have abilities such as super-hearing or sight, the ability to scent other people’s “temper” (emotions,) and the ability to “render” (mystically bond but not in a fated mates kind of way) with others due to Aether-caused mutation.
The Main Characters:
Aria lives in the pod named Reverie. Her mother has been out of contact for a week after she went to another pod to gather information for her medical research. When Soran, the son of the Director of Security for Reverie, suggests a group of friends unplug from the Realms and take an illicit trip into one of the agriculture domes that supports the sealed pod, Aria jumps at the chance to get on Soran’s good side. She hopes to convince him to ask his father to find out what happened to her mother. Unfortunately, Soren’s deranged desire to experience ‘the real’ has deadly consequences for everyone but him and Aria.
Peregrine is an Outsider, usually referred to as “Savages” by those who live in the pods. His brother is Blood Lord of their tribe and Perry is dissatisfied with his leadership and wishes he could challenge him for rule. Holding him back is his love for his nephew, Talon, with whom he has rendered. When he tries to sneak into Reverie in search of something to help heal the seriously ill boy, he is unable to stop himself from coming to Aria’s rescue, even though she is a Dweller, before making his escape.
In a bid to protect his son from Aria’s testimony, Reverie’s Director of Security drops Aria in the middle of the Outside to die. On their way back to the pod, the guards who dumped Aria off encounter Perry and Talon out for a hunt and kidnap Talon. As he sets off to rescue his nephew, Perry crosses paths with Aria and the two form an uneasy alliance in order to retrieve Talon and discover what happened to Aria’s mother.
Told in chapters that alternate points of view between Aria and Perry, this post-apocalyptic story has a strong sci-fi vibe and held my interest completely. It was a good story with excellent narration and I look forward to the next in the series. With a bang-up couple of opening chapters that are reminiscent of a futuristic version of Lord of the Flies, the author’s ability to create and maintain narrative tension is established. The world Ms. Rossi has created is atmospheric and well thought-out and isn’t so much delivered in descriptive sentence bunches as it is defined by the way the characters interact with it.
I imagine the author’s method of world-building may not suit every reader. Some books take you by the hand and gently skip down the world-building path with you, happily pointing out every scenic spot along the way and that’s OK; some great stories are told that way. Some books put a boot in your backside and kick you right into the middle of a lake, to sink or swim on your own. Although I think some readers may feel like they are drowning, I found the way the world was created and described to be a strong frame around which I could wrap some of my own conclusions. I enjoyed the sense of discovery along with the characters and the intimation that there was a lot more to be explored in the world Aria and Perry lived in. If your reading tastes lean towards a world that is clearly and fully defined upfront, you may find this book frustrating. I was comfortable learning bits and pieces as the story progressed. For example, I enjoyed taking the author’s descriptions of Aether (such as “The flows ran above the clouds. They were beautiful, like lightning trapped in liquid currents, thin as veils in some places. In others, they gathered in thick bright streams.”) and combining it with the tornado like strikes of destructive Aether storms and creating a post-apocalyptic world in my head where I imagined the earth was affected by unusual solar activity to such an extent that the atmosphere itself was changed, making life in enclosed habitats preferable for those who could afford it and leaving those who remained in the open to be changed on a genetic level. That wasn’t spelled out and I could certainly be over-thinking it but I enjoyed piling my own creativity on top of the author’s in this instance.
Ms. Rossi does an excellent job defining her characters, even in short sentences. When she speaks of Soren and “The way he watched people when they laughed, like he didn’t understand laughter.” She builds an instant character sketch that is then amply backed up by his creepy actions. There is a familiar pattern here that I see in many novels featuring YA characters, where the female protagonist is sheltered/less competent/needs protection and the male protagonist is the immediately accomplished one. While she was initially a somewhat frustrating character for me because she was so sheltered, this was offset by Aria’s mental strength and her refusal to complain as she toughened up as well as the fact that Perry and Aria are understandably at odds for half the book. I enjoyed watching Aria travel a great character arc from sheltered to independent. Also enjoyable was the romance between Aria and Perry, which was very sweet. While it didn’t blow my socks off, I left the story with a sense of deep satisfaction at the density of the tale.
This audiobook put me in mind of Lois McMaster Bujold’s Sharing Knife series and while I could make a strong case for some similar story elements, it’s equally valid to suspect that I made the comparison because they both employ the same skilled narrator: Bernadette Dunne Flagler. I feel like I repeat the same comments when a narrator does a really great job but while I go off to think up some crazy new and unique ways to describe a skilled narration, have some of the same ol’ same ol’… Ms. Dunne has a distinctive voice so it’s worth listening to a sample if you are unfamiliar with her work but she delivers the kind of narration that transcends her own voice and transmutes it into the individual characters in the story. The cast is distinctively voiced, the emotions feel real, and the pacing is perfect.